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Reeling is even better, if that's possible, for two reasons. Author Spotlight. Uma mini enciclopédia, Rezension aus Brasilien vom 18. Second, and far more importantly, she gives ZERO information about the film in her ‘review,’ choosing, instead, to write a kind of proto-blog post about things not even tangentially related to the film. Reeling: Amazon.de: Kael, Pauline: Fremdsprachige Bücher. And why on earth is a movie reviewer not supposed to have political opinions? When you are generally in agreement with her review, you become excited to go back and view the film in question because you want to look anew at certain aspects of it that she has brought to your attention. Prime-Mitglieder genießen Zugang zu schnellem und kostenlosem Versand, tausenden Filmen und Serienepisoden mit Prime Video und vielen weiteren exklusiven Vorteilen. But this is still an essential book, by one of the century's finest critics. She can point the pretenciousness of Kubrick's "Full Metal Jack" in one moment, just to compare Roeg's "Don't Look Now" with Borges in the following sentence. Pauline Kael by David Levine. Criticism at its best is a love/hate relationship with the art in question, where you can fall violently in love with a great film one night and violently deplore another one the next. No one on this earth taught me more about beauty. A collection of Pauline Kael’s reviews from the silent era to the 1980s. Her whole, 1960's philosophy of "American film sucks, European film is flawless" is outdated and tiresome. This collection of essays on Pauline Kael investigates the range, scope, and influence of Kael’s film criticism over the years (1968-81) that she wrote for The New Yorker. . Textos curtos sobre milhares de filmes escritos de forma clara e sintética. But the greatness of this book rests on the fact that you will be eager to watch all the 5001 movies reviewed. And the best place to begin, naturally, is the New Yorker, where she was a staff critic, writing week in and week out for six months out of each year between 1968 and 1991. The Guardian has also asked four more critics to contribute a few notes on some of Kael’s most memorable reviews: New York’s Quad Cinema has been running a series of films Kael championed (as well as a few she passionately disliked), and when Shoot the Moon screened last week, David Edelstein was there to introduce it. I used to have some collections of her film criticism back in the ‘80s, but I don’t know what became of them. Geben Sie es weiter, tauschen Sie es ein, © 1998-2020, Amazon.com, Inc. oder Tochtergesellschaften, 5001 Nights at the Movies (Holt Paperback) (English Edition), Übersetzen Sie alle Bewertungen auf Deutsch, Lieferung verfolgen oder Bestellung anzeigen, Recycling (einschließlich Entsorgung von Elektro- & Elektronikaltgeräten). She could convince you of a picture’s brilliance in a sentence as long as a penknife . Pauline Kael was the most important film critic of her generation. ), upon further reflection, you realize that your emotional reaction to the film was actually more ephemeral than you remember, and that this reaction was probably induced more by the dilute but still powerful medium of film itself rather than by any particularly cogent aspect of the individual movie in question. She can be witty, but her jokes are often at the expense of true, thoughtful insight and analysis of the films she is critiqueing. Juni 2010. This volume covers her reviews in the New Yorker from 1969 to 1972, a few excellent years for the movies. Rezension aus Deutschland vom 5. Pauline Kael was one famous film critic whose reputation certainly made before I was even a serious movie watcher. Außerdem analysiert es Rezensionen, um die Vertrauenswürdigkeit zu überprüfen. Hinzufügen war nicht erfolgreich. Her prejudices and oversights are legion. Finden Sie alle Bücher, Informationen zum Autor, Thousands of brief, informative film reviews from "The New Yorker" provide an encyclopedic guide to more than fifty years of American and foreign movies, Diesen Roman kann man nicht aus der Hand legen…, The Age of Movies: Selected Writings of Pauline Kael: A Library of America Special Publication, I Lost it at the Movies: Film Writings, 1954-65, This series of capsule movie reviews by the great Pauline Kael is actually an anthology of her writings for the "Goings on About Town" section of the. IA, Rezension aus Deutschland vom 25. Editor David Remnick has selected half a dozen exemplary reviews, adding that her arrival at the magazine “heralded a revolution in cinematic taste—one that was often messy yet exhilarating. Kael was known for her "witty, biting, highly opinionated and sharply focused" reviews, her opinions often contrary to those of her contemporaries. 1 of 16. next. Or, in a review of "The Last Tycoon", "...so enervated, it's like a vampire movie after the vampires have left.". Get info about new releases, essays and interviews on the Current, Top 10 lists, and sales. A master film critic at her witty, exhilarating, and opinionated best in a career-spanning collection—the first new selection in more than a generation "Film criticism is exciting just because there is no formula to apply," Pauline Kael once observed, "just because you must use everything you are and everything you know." Ihre zuletzt angesehenen Artikel und besonderen Empfehlungen. Pauline Kael (/ k eɪ l /; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. My review echoes what a lot of previous reviewers have stated: Pauline Kael makes you THINK about the movies, pure and simple. Download Pauline Kael Ebook, Epub, Textbook, quickly and easily or read online Pauline Kael full books anytime and anywhere. Simply put, Pauline Kael ranks alongside James Agee, Manny Farber, Dorothy Parker, Andrew Sarris and Frank Rich as one of the greatest American critics of the Twentieth Century. Jetzt eBook herunterladen & mit Ihrem Tablet oder eBook Reader lesen. Wählen Sie die Kategorie aus, in der Sie suchen möchten. “She was better than some of the filmmakers she espoused—smarter, more giddily romantic, and more insistent that they do good work. Apted’s lasting legacy will be the Up series, one of the most moving and influential works of nonfiction ever made. Prime entdecken DE Hallo! Anyone who ever loved Pauline’s work knew that reading, watching, and listening were three intertwining pleasures.”, Finally, Sight & Sound is running a piece by Farran Smith Nehme, an outstanding appreciation that also serves as a primer on the debates that Kael is sparking to this day. Ms. Kael makes a great number of "big" comments about movies, and, because of "5001 Nights"' condensed nature, these opinions are magnified. It's just a darned entertaining read, too. It was a formula for heartbreak—a heartbreak I think the acolytes felt more deeply than their mentor.”, The day after Kael passed, another admirer, Stephanie Zacharek, then a critic for Salon (and now for Time), wrote: “She could take a movie apart in a paragraph the size of a shot glass. Kael articulated a provocative new vision of American cinema in which the most invigorating films blurred the boundaries of high and low culture.” If a mere six of these pieces won’t do, IndieWire’s David Ehrlich has put together a collection of fifteen, and it’s no surprise that both Remnick’s and Ehrlich’s selections include the essay that arguably made her reputation, the 1967 review of Arthur Penn and Warren Beatty’s Bonnie and Clyde. Love her too little and she attacked you; love her too much and she disregarded you. Pauline Kael sees 2001: A Space Odyssey as a big waste of sets and equipment with no sense of structure. Poets aren't the only unacknowledged legislators of the world; great critics write the text as well." USt. She states the story line is the “most gloriously redundant plot of all time” (Abrahams 223), insisting that no point is made in the movie. The compilations of cinema reviews of Pauline Kael are all masterpieces, published in 10 books covering her reviews from 1954 to 1991. Rezension aus Deutschland vom 12. In 1968, shortly after the publication of her review of “Bonnie and Clyde,” she became the magazine’s film critic. Bitte versuchen Sie es erneut. Momentanes Problem beim Laden dieses Menüs. For news and items of interest throughout the day, every day, follow @CriterionDaily. He has recently reposted an appreciation that ran in last year’s fiftieth anniversary issue of New York, something of a brief memoir of being a “Paulette,” as her acolytes were (and occasionally still are) called. Lastly, too many of the films in here are so apprently mediocre and poor that you wonder why Kael wasted her talents and paper discussing them. Depois da primeira consulta vira livro de leitura. April 2015. --Larry McMurtry, "She's the best film critic we've got." In a remembrance that ran in Film Comment that year, Paul Schrader, who’d started out writing film criticism before turning to screenwriting and directing, recalled that, in the early 1970s, “newspapers and magazines around the country would solicit Pauline’s recommendations before hiring a film critic; she was the clearinghouse.” She’d planned to set Schrader up with a paper in Seattle, but he infuriated her with his decision to become a screenwriter instead. Nomadland has triumphed on the first big night of awards season. PAULINE KAEL: TOP RATED FILMS by eean_dee | created - 15 Jun 2017 | updated - 18 Jun 2017 | Public The infamous film critic Pauline Kael's top rated films as of the time of her demise in 2001. This is yet another collection of reviews of the late and great Pauline Kael. This is heroic criticism, warrior criticism, live-ammo criticism that boldly intervenes in culture and unapologetically takes on everything: the movie, the movies, the audience, the other critics, history, society, politics, love, and death.”, On that same page at the Guardian, you’ll find David Thomson’s appreciation—he calls Kael “kind of crazy,” and one assumes he means both “crazy” and, two paragraphs on, “unhinged” in a good way. Thomson references Kael’s early life in Berkeley, where she studied philosophy, literature, and art, programmed movies, and began writing about them in the early 1950s. --Details, "A great critic...with a body of criticism that can be compared with Shaw's criticism of music and the theatre." Pauline Kael’s Most Passionate Reviews, From ‘Bonnie and Clyde’ to ‘Taxi Driver’ Thumbnails. Pauline Kael won the National Book Award for her film criticism in 1974. (She died in 2001.) 6 of 16. prev. This realization teaches you to value the films that truly "stay with" you more than ever. Finally, Ms. Kael is notoriously unsentimental when it comes to the movies, and at times the you can feel that she has missed an important, emotion-inducing quality of a film because of this personal and/or stylistic rigidity. Bitte versuchen Sie es erneut. Mai 1991), Rezension aus Deutschland vom 8. American film (including most popular Hollywood products) is dismissed out of hand. As with every line Kael published, this book is superb and a lesson not only on film critic, but on how to write non-fiction. Edition (1. This led to her writing her first collection of reviews titled I Lost It at the Movies (1965), which was a surprise bestseller, selling over 150 thousand paperback copies. “Her agitated voice and spurting rhythms were infectious,” writes Thomson. “Pauline was a complex mentor,” wrote Schrader. Pauline Kael (/ k eɪ l /; 19. jun 1919 – 3. septembar 2001) bila je američka filmska kritičarka, najpoznatija po recenzijama koje je pisala za ugledni časopis The New Yorker od 1968. do 1991. godine, i koje su joj donijele reputaciju najuticajnije kritičarke u historiji filma. Anmelden Konto und Listen Anmelden Konto und Listen Warenrücksendungen und Bestellungen Entdecken Sie Prime Einkaufswagen. Etwas ist schiefgegangen. This book is full of buried treasures --- quite a few films in it that I had never even heard of before. Some people here have complained that Kael is bitter or mean. Rezension aus dem Vereinigten Königreich vom 25. November 1997. Pauline Kael wrote for The New Yorker from 1967 until her retirement, in 1991. "She is, indeed, the Edmund Wilson of film reviewers." Pauline Kael . She was as competitive as an old lefty, reckless in taking on disciples—and then telling them what to think. T he best way to celebrate the one hundredth anniversary of the birth of Pauline Kael, one of the most influential film critics in the short history of cinema, is, of course, to read her work. Refine See titles to watch instantly, titles you haven't rated, etc. “What I had found most challenging when I first read her (as a teenager) was that if she hated something I loved, she did such a brilliant job evoking and analyzing it that I couldn’t say, ‘Well, that’s not the movie I saw!’ It was the movie I saw plus.”, Kael died in 2001, a little over a week before 9/11. But she wrote like a fallen angel, a slangy, cocksure Satan who guessed God was asleep.”. Juni 2013. “On one hand, she infused your life like a whirlwind, dominating your thinking, affecting your personal relationships, demanding fealty; on the other, she could not respect anyone who would not stand up to her. In every one of these books we can see how much he knew about cinema and how well she wrote about it. Eine Person fand diese Informationen hilfreich, Rezension aus Deutschland vom 12. For Ryan Gilbey, Kael’s review of Alex Cox’s, Focusing on Kael’s piece on Robert Altman’s. The French, They Are a Funny Race France (1956): Comedy 83 min, No rating, Black & White Released in France as LES CARNETS DU MAJOR THOMPSON, in 1956. Smiles of a Summer Night. The Age of Movies, a new collection … She goes on to call Kubrick an amateur and that the only viewers who enjoy the film are those that are stoned or idiots. Preisangaben inkl. She was one of the most influential American film critics of her era. I Lost It at the Movies | Kael, Pauline | ISBN: 9785557087353 | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon. Pauline Kael continued to juggle writing criticisms with other work to make ends meet until she was given a chance to publish a book of her criticism. Firstly, at 512 pages is one of the longer compilations. Pauline Kael was probably the best film reviewer ever to put pen to paper. This is a little hard to take seriously, considering that Adler’s opinion of Pauline Kael was shared by William Shawn, the editor of the New Yorker for a storied half century, who had legendary battles with Kael over language and her refusal to reform or even change a line. I agree with Pauline Kael's assessments roughly 50% of the time, but I still love reading her. I don't think the type of person who makes this criticism is really looking for a dry, studied dissection of film technique, but perhaps I'm wrong. She still is the best stylist among film critics--funny,jazzy,informal; powered and sometimes blinded by her enormous passion for the art form. Pauline Kael, while often entertaining and erudite, is one film critic who needs to be read very, very carefully. Can you review "Triumph of the Will" or "Rambo" or "La Chinoise" without venturing into the realm of politics? Contrary to other texts, this book only has short reviews. Abhängig von der Lieferadresse kann die USt. $150.00 $150.00 Quantity Add to Cart Will be in stock after DUE TO COVID-19, WE ARE UNABLE TO SHIP ILLUSTRATION ORDERS AT THIS TIME. She digs deep into a movie and dissects the heck out of it to such an extent and with such a critical eye that one often has to step back and wonder if she ever really fully enjoyed any film. Stattdessen betrachtet unser System Faktoren wie die Aktualität einer Rezension und ob der Rezensent den Artikel bei Amazon gekauft hat. Juli 2019, Pauline Kael e suas anotações maravilhosas sobre filmes. In 1980, Renata Adler reviewed Pauline Kael’s When the Lights Go Down for the New York Review ... Now, When the Lights Go Down, a collection of her reviews over the past five years, is out; and it is, to my surprise and without Kael- or Simon-like exaggeration, not simply, jarringly, piece by piece, line by line, and without interruption, worthless. Um die Gesamtbewertung der Sterne und die prozentuale Aufschlüsselung nach Sternen zu berechnen, verwenden wir keinen einfachen Durchschnitt. American film critic Pauline Kael was a brash, exuberant female writer at a time when most of her colleagues were buttoned up — and male. Brasilien vom 5 2001: a Space Odyssey as a big waste of sets equipment. 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